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On his fifteenth studio album, Moby reconciles his rage about the state of things with a zen-like acceptance of the apocalypse. The lush, haunting songs on this record paints a beautiful picture of a broken world, as indicated in the title: Everything Was Beautiful and Nothing Hurt.

SET LIST

  • "Falling Rain And Light"

MorMor's music is a study of opposites. It soothes by fully basking in uncertainty. "Whatever Comes To Mind," the latest track from the Toronto newcomer balances fear and fulfillment on a feathery, percussive wire.

"Thank you for allowing me to be the first black woman to headline Coachella," Beyoncé said toward the end of her headlining set at Coachella Valley Music & Arts Festival last Saturday while glistening with sweat and her waist-length, gold hair flowing in the fan-created breeze. The chart-topping Queen Bey paused for only a moment before scoffing, "Ain't that 'bout a bitch."

Bey's candid acknowledgment of this elephant in the desert simultaneously silenced any doubters and ignited her Beyhive.

Look, let's just puff-puff right past the 4/20 jokes, OK? There's no reason to toke up all of your time with silliness when you could be nodding your head (slowly) to Sleep's first album since Dopesmoker, considered by many to be the high-water mark of stoner-metal epics. (Its release date is something of a rabbit hole — if you're interested, here.)

The Record Company's "Life To Fix" takes off like a supersonic jet blowing wildly through the universe of rock. The first single from All of This Life breathes new life into a style of music that's been played many times before. The difference here is the song's rootsy and infectious guitar riff, with guitarist Chris Vos and the band slaying into the groove with inspiration.

On this week's quick run through some of the best new albums out on April 20, All Songs Considered's Robin Hilton chats with NPR Music's Ann Powers and Stephen Thompson about the primal pop of Kimbra, dark and majestic songs from Exitmusic, Nashville veterans The Old Crow Medicine Show, the rock-and-soul of Shuggie Otis and more.

When you hear John Moreland's sweet voice, it's hard to believe he spent years singing in punk, metal-core and hardcore bands. You can still hear that passion in his music, only now it's punctuated by his acoustic guitar.

Forget that old adage about hip-hop being a product of the streets. Nowadays, if you really want to keep your finger on the pulse, you better follow the tweets.

Consider the events this week in rap as exhibits A, B, C and D: In the last five days, three of the biggest, most elusive names in rap have taken to social media to tease fans with forthcoming album release dates, while rap's reigning G.O.A.T. collected the big cheese.

A couple of years ago, Bernie Dalton was a strong, physically fit, 40-something-year-old surfer. Every morning, he would get up at 4 A.M. to watch the sunrise in Santa Cruz, Calif. Bernie wasn't a musician at the time, but he was passionate about music. His lifelong dream was to record an album.

The Echo Awards — Germany's equivalent to the Grammys — is facing widespread censure after this year's prize for best hip-hop album was given to a duo whose lyrics include boasts about how their bodies are "more defined than Auschwitz prisoners" and that they will "make another Holocaust, show up with a Molotov."

At the award ceremony, which took place on April 12, rappers Kollegah (Felix Blume) and Farid Bang (Farid El Abdellaoui) took home the prize for their album Jung, brutal gutaussehend 3 (translated: Young, Brutal, Good-Looking 3).

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