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Jorge Drexler is a poet with a gift for song. The Uruguayan singer-songwriter, like the iconic Latin American lyricists of the past (Mercedes Sosa, Victor Jara and Silvio Rodriguez, to name just a few), has that rare ability to surround multi-layered prose with music that lends an even deeper resonance to the words.

After returning from tours with Joan as Police Woman and Okkervil River, Benjamin Lazar Davis had a rare bit of downtime over the holidays and two things he really wanted to do right away: record a new solo album and spend time with his parents, sisters and brother.

The Callout

Apr 13, 2018

A lot of communities today are taking a hard stand against sexual harassment and assault. Using social media shaming, ostracism, professional excommunication, whatever punishment is painful enough to shift the moral code by brute force. Through one incident in the Richmond, Va. hardcore music scene, we chronicle a social media callout and ask what pain can accomplish.

WARNING: This episode contains obscenities and descriptions of sex and violence.

Special thanks to the following musicians:

Invisibilia: Punks Policing Their Own

Apr 13, 2018

Warning: This episode contains obscenities and descriptions of sex and violence.

A lot of communities today are taking a hard stand against sexual harassment and assault. Using social media shaming, ostracism, professional excommunication, whatever punishment is painful enough to shift the moral code by brute force. Through one incident in the Richmond Virginia hardcore punk scene, Hanna Rosin, co-host of NPR's Invisibilia, chronicles a social media callout and asks what pain can accomplish.

NPR Music's Stephen Thompson and Ann Powers join host Robin Hilton for a quick run-through some of the most essential new albums out on April 13, starting with the Korean surf-rock band Say Sue Me and their wistful and gritty album Where We Were Together.

With 27 Grammy Awards to her credit, Alison Krauss is the most awarded female artist in the history of the prestigious awards, having been recognized with nominations and wins in the Bluegrass, Country, Folk, Gospel and Pop categories.

There's a sequence in the documentary Grace Jones: Bloodlight and Bami that follows the pop-art icon before, during, and after a pre-recorded TV performance she's giving in front of a studio audience in France. As she makes her way toward the stage in a black corset, high heels, and a lacy purple headdress that masks her eyes — an amusing contrast with the lumpen roadies and stagehands she greets along the way — Jones frets about the possibility of the set being tacky.

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

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